GWEN SAINTE-ROSE - Collines / Racines CD
MUSIC: Rarely has the term “soundscapes” seemed more appropriate than for “Collines” and “Racines”, two long, spellbinding pieces for cello and Loopstation, inspired respectively by the landscapes of Gaume (extreme southeast of Belgium) and the Forêt de Soignes (the Sonian Forest, at the southeastern edge of Brussels). In these compositions, Gwen Sainte-Rose superimposes the sound strata and sculpts her sound matter.
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OBJECT: This CD is housed in a wooden case which, like a small cabinet of curiosities, also contains multiple photographic inserts by Beata Szparagowska and graphic designer Corentine Jaunard, as well as small objects (feather, pebble, leaf, moss, etc.) gleaned from nature by the musician and her acolytes.
Produktinformationen
Produktinformationen
Versand & Rückgabe
Versand & Rückgabe
GWEN SAINTE-ROSE - Collines / Racines CD
GWEN SAINTE-ROSE - Collines / Racines CD
MUSIC: Rarely has the term “soundscapes” seemed more appropriate than for “Collines” and “Racines”, two long, spellbinding pieces for cello and Loopstation, inspired respectively by the landscapes of Gaume (extreme southeast of Belgium) and the Forêt de Soignes (the Sonian Forest, at the southeastern edge of Brussels). In these compositions, Gwen Sainte-Rose superimposes the sound strata and sculpts her sound matter.
~~~
OBJECT: This CD is housed in a wooden case which, like a small cabinet of curiosities, also contains multiple photographic inserts by Beata Szparagowska and graphic designer Corentine Jaunard, as well as small objects (feather, pebble, leaf, moss, etc.) gleaned from nature by the musician and her acolytes.
Produktinformationen
Produktinformationen
Versand & Rückgabe
Versand & Rückgabe
Description
MUSIC: Rarely has the term “soundscapes” seemed more appropriate than for “Collines” and “Racines”, two long, spellbinding pieces for cello and Loopstation, inspired respectively by the landscapes of Gaume (extreme southeast of Belgium) and the Forêt de Soignes (the Sonian Forest, at the southeastern edge of Brussels). In these compositions, Gwen Sainte-Rose superimposes the sound strata and sculpts her sound matter.
~~~
OBJECT: This CD is housed in a wooden case which, like a small cabinet of curiosities, also contains multiple photographic inserts by Beata Szparagowska and graphic designer Corentine Jaunard, as well as small objects (feather, pebble, leaf, moss, etc.) gleaned from nature by the musician and her acolytes.
